Works

If you are interested in receiving scores, please write me an e-mail. Recordings you can find here …or just contact me 🙂

Solo works

Tides (2017)

for solo percussion and electronics | ^{_{premiered in Karlsruhe, Germany with Irini Aravidou.}}

L’expression (2020)

for solo flute (dedicated to Nina Buchholz) | _{^{premiered in Lübeck, Germany with Nina Buchholz.}}

Vergangenes, Gehörtes (2021)

for solo piano and electronics | ^{_{premiered in Lübeck, Germany with Oliver Brunnenberg.}}

Scattered Breath (2021)

for english horn and electronics | ^{_{premiered in Lübeck, Germany with Jeanne Degos.}}

Amen (2024)

for organ solo | ^{_{premiered in Bentwitsch, Germany with Christine Petersen}}

Des sons et des saveurs qui s’évaporent dans l’air (2024)

for piano solo | ^{_{premiered in Mainz, Germany with Benjamin Janisch}}

Duo works

A Moment in Time (2017)

for piano and clarinet (also bass clarinet) | ^{_{premiered in Lübeck, Germany with Ugnė Varanauskaitė (cl.) and Augustinas Eidukonis (pno.).}}

Rhizom (Wucherung) (2019)

for violin (scordatura) and percussion (dedicated to Rahel Boell) | ^{_{premiered in Lübeck, Germany with Rahel Boell (vln.) and Arian Robinson (perc.).}}

Wandlung (2019)

for violoncello and harp | ^{_{premiered in Lübeck, Germany with Benjamin Seek (vc.) and Franziska Götz (hrp.).}}

Hush (2020)

for violoncello and accordion | ^{_{premiered in Lübeck, Germany with Suyeon Wu (vc.) and Lydia Schmidl (acc.).}}

Three Black Pages (with a hint of Zappa) (2020)

for bass trombone and double bass | ^{_{premiered in Kiel, Germany with David Krieger (trb.) and Karina Tschirner (db.).}}

Asclepius‘ Deception (2022)

for trompet and organ | ^{_{premiered in Lübeck, Germany with Gregor Zeyer (tr.) and Georg Gottschlich (org.).}}

Trio works

Corruption (2018)

for piano, saxophone, and percussion | ^{_{premiered in Lübeck, Germany with Jorma Margraff (pno.), Jana de Troyer (sax.) and Arian Robinson (perc.).}}

Drei Fäden (2018)

for Bb clarinet, basset horn, and bass clarinet (dedicated to Trio Klarisono) | _{^{premiered in Lübeck with Trio Klarisono (Strahinja Pavlović, Ugnė Varauskaitė and Lina Kukulina).}}

Nuances (2018) (revised 2022)

for flute, viola, and vibraphone | ^{_{premiered in Prague, Czech Republic.}}

Quartett's

Ausklang (2020) (revised 2023)

for piano, flute, viola, and double bass (or Violoncello) (dedicated to Dieter Mack and Ensemble Klangrauschen) | _{^{premiered in Lübeck by Ensemble Klangrauschen.}}

That Blue Banner (2020)

for piano, saxophone, double bass, and drumset | _{^{premiered in Lübeck, Germany with Ella Rosenberg (pno.), Jana De Troyer (sax.), Olga Wegener (db.) and Arian Robinson (perc.).}}

Flirrender Aufgang (2023)

for string quartett (dedicated to Saki Quartett) | _{^{premiered in Lübeck, Germany (Brahms Festival 2023) by Saki Quartett.}}

Chamber music

Rain (2016)

for piano, violin, viola, violoncello, and double bass | _{^{premiered in Lübeck, Germany by Ariadne Dalatsi (pno.), Nathan Matchen (vln.), Flor Stammer (vla.), Philipp Alexandrowitz (vc.) and Joscha Hartmann (db.).}}

Gebet für die Peiniger (2017/18)

for small ensemble

Hommage for Terry Riley (2020)

for a minimum of eight musicians

Mosaic (2020)

for small ensemble

On the Corner of Steel and Crunchy’s (2023)

for chamber ensemble (dedicated to Ensemble Tempus Konnex) | ^{_{premiered in Halle, Germany (Impuls Festival 2023) by Ensemble Tempus Konnex.}}

Orchestra works

Wasi (2017)

for solo piano and large orchestra

Reminiscence (2018/19)

for large orchestra | ^{_{premiered in Lübeck, Germany, by Roland Kluttig and the MHL-Orchestra.}}

Zyklus (2020)

for large orchestra | ^{_{premiered in Lübeck, Germany, by Stefan Geiger and the MHL-Orchestra.}}

Salz (2021)

for large orchestra | ^{_{premiered in Wernigerode, Germany, by Jan-Michael Horstmann and the Mitteldeutsche Kammerphilharmonie.}}

Out Of The Box (2024)

for large orchestra | ^{_{to be premiered in Magdeburg, Germany, by Armando Merino and the Magdeburgische Philharmonie.}}